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"The Catholic Church answered Reformation-era contestations of the cult of images in a famous decree of the Council of Trent (1563). Art in Dispute revisits this response by focusing on its antecedents rather than its consequences. The mid-sixteenth century saw, besides new scholarship on Byzantine doctrines, heated debates about neo-scholastic interpretations. Disagreement, suppressed at Trent but re-emerging soon afterwards, centered on the question whether religious images were solely signs referring to holy subjects or also sacred objects in their own right. It was a debate with major implications for art theory and devotional practice. The volume contains editions and translations of texts by Martín Pérez de Ayala, Matthieu Ory, Jean Calvin, Ambrogio Catarino Politi, and Iacopo Nacchianti, along with a previously unknown draft of the Tridentine decree"--
E-books --- Military art and science --- Christian saints --- Christianity and art --- Idols and images --- Cult --- History of doctrines --- Catholic Church --- History --- Council of Trent --- Art and Christianity --- Art --- Saints --- Canonization --- Iconography --- Images and idols --- Religious images --- Statuettes --- Animism --- Art, Primitive --- Art and religion --- Fetishism --- Magic --- Religion --- Sculpture, Primitive --- Symbolism --- Gods in art --- Fighting --- Military power --- Military science --- Warfare --- Warfare, Primitive --- Naval art and science --- War --- Concilio di Trento --- Concilium Tridentinum --- Konzil von Trient --- Trent, Council of, --- Tridentskiĭ sobor --- Christian church history --- religious art --- Counter-Reformation --- anno 1500-1599 --- Europe --- Iconography, Religious --- Religious iconography --- Religious statuettes --- Statuettes, Religious --- Religious art --- Christianity. --- Christianity --- Religions --- Church history --- kunst en godsdienst
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The visual legacy of early modern cardinals constitutes a vast and extremely rich body of artworks, many of superb quality, in a variety of media, often by well-known artists and skilled craftsmen. Yet cardinal portraits have primarily been analyzed within biographical studies of the represented individual, in relation to the artists who created them, or within the broader genre of portraiture. Portrait Cultures of the Early Modern Cardinal addresses questions surrounding the production, collection, and status of the cardinal portrait, covering diverse geographies and varied media. Examining the development of cardinals' imagery in terms of their multi-layered identities, this volume considers portraits of 'princes of the Church' as a specific cultural phenomenon reflecting cardinals' unique social and political position.
Cardinals in art. --- Cardinals --- Portraits --- History and criticism. --- Cardinals in art --- History and criticism --- E-books --- Christianity and art --- Catholic Church. --- Art --- portraits --- Christianity: persons --- anno 1500-1799 --- Catholic Church and art --- Cardinals, Early Modern, Portrait, Catholic Church, Portraiture. --- kunst en godsdienst --- mansportretten
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"Established the way in which Christian cultures has been regarded as "threatened" by Judaism and describes how arts of representation legitimated themselves as Christian by defending themselves against this threat"--
Christianity and other religions --- Judaism --- Judaism in art. --- Christian art and symbolism. --- Judaism in literature. --- Christian literature --- 296*82 --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Brotherhood Week --- 296*82 Dialoog joden - christenen --- Dialoog joden - christenen --- Judaism. --- Relations --- Christianity. --- History and criticism. --- Christian religion --- Jewish religion --- Painting --- Literature --- paintings [visual works] --- poetry --- Christianity --- Judaism in art --- Christian art and symbolism --- Judaism in literature --- Jews --- Religions --- Semites --- Relations&delete& --- History and criticism --- Religion
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"In the Christian tradition, death was a punishment by God for the original sin of Adam and Eve. Banished from the Garden of Eden after eating the forbidden fruit of the tree of knowledge, they were condemned to labour, until "you return to the ground, for out of it you were taken; you are dust, and to dust you shall return."2 But later in historical time, God sent his son Jesus Christ to earth to teach people how to overcome death and achieve eternal life, as witnessed in the gospels. Christ taught that if sinful humans would repent of their sins and love God, they would be saved from death, for as he said to Martha in the house of Lazarus, "I am the resurrection and the life; he who believes in me, though he die, yet shall he live."3 The central narrative of Christian soteriology is the death of Christ himself, through crucifixion, and his resurrection from the dead three days later. Having triumphed over death, his purpose was to lead his followers to salvation. After Christ's bodily ascension into heaven, the task of saving souls for eternity was passed to his church. The emphasis on Christ's death and resurrection, and its representation in the eucharistic service, mean that death and commemoration lie at the very heart of Christianity"--
E-books --- Christian religion --- History of civilization --- mourning --- commemorating [function] --- anno 1300-1399 --- anno 1400-1499 --- anno 1500-1599 --- anno 1600-1699 --- Europe --- Death --- Mourning customs --- Memorialization --- Religious aspects --- Christianity. --- dood
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Art --- Christian art and symbolism --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- History --- Methodology. --- History. --- 246 --- Christelijke kunst en symbolisme --- Christianity --- Art, Primitive --- Christelijke kunst
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After the Reformation the successful painter Paul Lautensack (1477/78-1558) dedicated himself to spreading revelations on the nature of God. Lautensack was besides Dürer the only German artist who wrote against the iconoclasts, and he believed that he as a painter could explain the images of Revelation better than theologians like Luther. He presented his insights in hundreds of highly sophisticated diagrams that display a wide range of material accessible to an urban craftsman, from the vernacular Bible to calendar illustrations. This study is the first monograph on this extraordinary man, it presents a corpus of his surviving works, analyzes his peculiar theology of the image and locates the elements of his diagrams in the visual world of the Reformation period.
Christian art and symbolism --- Image (Theology) --- Communication --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Religious aspects --- Christianity --- Lautensack, Paul, --- Criticism and interpretation. --- 091 LAUTENSACK, PAUL --- 741 LAUTENSACK, PAUL --- Handschriftenkunde. Handschriftencatalogi--LAUTENSACK, PAUL --- Tekenkunst--LAUTENSACK, PAUL --- Drawing --- diagrams --- Reformation --- Lautensack, Paul
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Robert Couzin's Right and Left in Early Christian and Medieval Art is the first in-depth study of handedness, position, and direction in the visual culture of Europe and Byzantium from the fourth to the fourteenth century. An understanding of this largely unnoticed or ignored dimension of imagery can enrich the study of most major themes of medieval art history, including iconography, visuality, reception, narrative, form, gender, production, and patronage. For designers, artisans, and audiences alike, the pre-eminence of the right and lapses or intentional departures from that norm were potentially significant. This investigation of right and left in medieval visual culture is informed by modern experimental research on laterality and contextualized within prevailing theological doctrines and socio-cultural practices. Illustrations in the text are complemented by hundreds more made available on Brill's Arkyves platform.
Art and history. --- History and art --- History --- History in art --- Christian art and symbolism --- Left and right (Symbolism) --- Right and left (Symbolism) --- Symbolism --- Christian religion --- Iconography --- iconology --- religious symbolism --- left --- right --- religious art --- anno 500-1499 --- anno 400-499 --- Left- and right-handedness --- Gauche et droite (Symbolisme) --- Art chrétien --- Gauchers --- Religious aspects --- Christianity. --- Aspect religieux --- Christianisme
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Michelangelo in the New Millennium presents six paired studies in dialogue with each other that offer new ways of looking at Michelangelo’s art as a series of social, creative, and emotional exchanges where artistic intention remains flexible; probe deeper into the artist’s formal borrowing and how it affects meaning regarding his early religious works; and consider the making and significance of his late papal painting projects commissioned by Paul III and Paul IV for chapels at the Vatican Palace. Contributors are: William E. Wallace, Joost Keizer, Eric R. Hupe, Emily Fenichel, Jonathan Kline, Erin Sutherland Minter, Margaret Kuntz, Tamara Smithers and Marcia B. Hall
patronage --- Christianity --- Michelangelo --- Painters --- Sculptors --- Art patronage --- Painting, Italian --- Peintres --- Sculpteurs --- Mécénat --- Peinture italienne --- Social networks --- Réseaux sociaux --- Michelangelo Buonarroti, --- Criticism and interpretation. --- Mécénat --- Réseaux sociaux --- Michelangelo Buonarroti --- Buonarroti, Michelangelo --- Mikelandzhelo Buonarroti --- Mikelʹ-Andzhelo --- Michael Angelo --- Miguel Angel --- Mīkilānjilū --- Michelangiolo --- Michel-Ange --- Michał Anioł --- Buonarroti, Michel Angelo --- Miguel Angelo --- Michelagniolo Buonarroti --- Buonarroti, Michelagniolo --- Michelangiolo Buonarroti --- Michaelangelo --- Michelagnolo di Lodovico Buonarroti Simoni --- di Lodovico Buonarroti Simoni, Michelangelo --- Микеланджело Буонарроти --- מיכאל־אנג׳לו בואונארוטי,
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"Ethel Auster and Shauna Taylor's Downsizing in Academic Libraries is a comprehensive study of the trials faced by Canadian academic libraries in the 1990s. The authors surveyed opinions from over 1100 librarians from across the country. Based on these surveys, they describe how downsizing was implemented, while looking at its impact on programs and services, organizational climate, and employees, and its effect on user services and program delivery. Their study also includes a statistical portrait of library expenditures, holdings, and staffing levels set against trends in enrolment for the period 1982-83 to 1997-98." "Downsizing in Academic Libraries will be of interest to policy makers in government, universities, and libraries; to managers and staffs of academic libraries; to researchers, teachers, and students of library and information studies and of organizational strategies, processes, and behaviour; and to all library stakeholders concerned about the effects of budget cutbacks over the past decade."--Jacket
Academic libraries --- Libraries --- Downsizing of organizations --- Bibliothèques universitaires --- Bibliothèques --- Personnel --- Administration. --- Personnel management. --- Reorganization. --- Investigation --- Administration --- Direction --- Réorganisation --- Réduction --- Enquêtes --- 025.1 --- Bibliotheek: leiding, directie. Bibliotheekorganisatie. Bibliotheekmanagement --- 025.1 Bibliotheek: leiding, directie. Bibliotheekorganisatie. Bibliotheekmanagement --- Documentation --- Public institutions --- Librarians --- Corporate downsizing --- Organizational downsizing --- Retrenchment of organizations --- Retrenchment, Organizational --- Organizational change --- Employees --- College libraries --- Libraries, University and college --- University libraries --- Libraries and colleges --- Public libraries --- Personnel management --- Reorganization --- Dismissal of --- Services to colleges and universities --- Painting --- Architecture --- Society of Jesus --- anno 1500-1799 --- Paraguay --- Jesuit art --- S13B/0410 --- S13B/0800 --- Art, Jesuit --- Christian art and symbolism --- History --- China: Christianity--Jesuits (incl. Rites Controversy) --- China: Christianity--Religious art and architecture --- Societas Jesu --- Compagnie de Jésus --- Compañia de Jesus --- Gesellschaft Jesu --- Jesuitas --- Jesuiten --- Jesuiti --- Jesuits --- Jezuïten --- Jésuites --- Paters Jezuïten --- Societeit van Jezus --- Missions --- 271.5-8 --- 271.5-9 --- 7.046.3 --- 271.5-9 Jezuïeten: missies --- Jezuïeten: missies --- 7.046.3 Iconografie: religieuze voorstellingen --- Iconografie: religieuze voorstellingen --- 271.5-8 Jezuïeten: speciale gebruiken: specifiek apostolaat; opvoedingssysteem --- Jezuïeten: speciale gebruiken: specifiek apostolaat; opvoedingssysteem --- Art jésuite --- History. --- Histoire --- Bibliothèques universitaires --- Bibliothèques --- Réorganisation --- Réduction --- Enquêtes --- Asia --- Canada --- Downsizing of organization --- イエズス会 --- カトリック イエズス会 --- Jesuit art - Asia - History --- Jesuit art - Latin America - History --- Jesuit [Christian order] --- kunst en godsdienst --- Kanada. --- Canada. --- Canada (Province) --- Canadae --- Ceanada --- Chanada --- Chanadey --- Dominio del Canadá --- Dominion of Canada --- Jianada --- Kʻaenada --- Kaineḍā --- Kanada --- Ḳanadah --- Kanadaja --- Kanadas --- Ḳanade --- Kanado --- Kanakā --- Province of Canada --- Republica de Canadá --- Yn Chanadey
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The Battle of Lepanto, celebrated as the greatest triumph of Christendom over its Ottoman enemy, was soon transformed into a powerful myth through a vast media campaign. Lepanto ? or rather, the varied storytelling and the many visual representations that contributed to shape the perception of the battle in Christian Europe ? is the main focus of this book. In a broader perspective, 'Lepanto and Beyond' also gathers reflections on the construction of religious alterity and offers analyses of specific case studies taken from different fields, investigating the figure of the Muslim captive in reality, artistic depiction, and literature. With different themes related to the Republic of Genoa, the authors also aim to redress a perceived imbalance and to restore the important role of the Genoese in the general scholarly discussion on Lepanto and its images.
Christianity and other religions --- Lepanto, Battle of, Greece, 1571, in literature --- 940.21 --- 7 <09> --- Lepanto, Battle of, Greece, 1571, in art --- 7 <09> Kunstgeschiedenis. Kunsthistorie --- Kunstgeschiedenis. Kunsthistorie --- 940.21 Geschiedenis van Europa: Ontdekkingsreizen. Renaissance--(1492-1532) --- Geschiedenis van Europa: Ontdekkingsreizen. Renaissance--(1492-1532) --- Lepanto, Battle of, 1571, in literature --- Islam --- Genoa (Italy) --- Cenova (Italy) --- Chenova (Italy) --- Comune di Genova (Italy) --- Dženova (Italy) --- Gênes (Italy) --- Genova (Italy) --- Ĝenovo (Italy) --- Genua (Italy) --- Genuja (Italy) --- Gènuva (Italy) --- Genuya (Italy) --- Gjenova (Italy) --- Gjenue (Italy) --- Gorad Genuja (Italy) --- Janov (Italy) --- Jenoba (Italy) --- Jinuwah (Italy) --- Xénova (Italy) --- Zena (Italy) --- جنوة (Italy) --- Горад Генуя (Italy) --- Генуя (Italy) --- Γένοβα (Italy) --- ג'נובה (Italy) --- יאנאווע (Italy) --- 제노바 (Italy) --- ジェノヴァ (Italy) --- 熱那亞 (Italy) --- 热那亚 (Italy) --- Church history --- Christian religion --- Iconography --- Thematology --- History of Southern Europe --- naval battles --- Genoa --- Nafpaktos --- Lepanto, Battle of, Greece, 1571 --- 355.49 --- 27 <45 GENOVA> --- 246 <45> --- 246 <45> Christelijke kunst en symbolisme--Italië --- Christelijke kunst en symbolisme--Italië --- 246 <45> Art et symbolisme chretiens--Italië --- Art et symbolisme chretiens--Italië --- 27 <45 GENOVA> Histoire de l'Eglise--Italië--GENOVA --- 27 <45 GENOVA> Kerkgeschiedenis--Italië--GENOVA --- Histoire de l'Eglise--Italië--GENOVA --- Kerkgeschiedenis--Italië--GENOVA --- 355.49 Geschiedenis van de zeeslagen --- Geschiedenis van de zeeslagen --- geschiedenis --- iconografie --- slavenhandel --- seksualiteit --- religieuze geschiedenis --- cultuurgeschiedenis --- Christendom --- Islam, Mohammedaanse godsdienst --- Doria, Giovanni Andrea --- 16de eeuw --- Christianity and other religions - Islam --- Genoa (Italy) - Church history --- Lepanto, Battle of, Greece, 1571, in art. --- geschiedenis. --- iconografie. --- slavenhandel. --- seksualiteit. --- religieuze geschiedenis. --- cultuurgeschiedenis. --- Christendom. --- Islam, Mohammedaanse godsdienst. --- Doria, Giovanni Andrea. --- 16de eeuw.
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